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Scout Tafoya, the author of the linked article, and film essayist at large, approached after our screening at the BlackStar Film Festival to congratulate me on making a “fucking awesome film.” That made me happy. Here’s an interview with me and a passage from his review of the film:

Not only is Rivero an exciting, intelligent new director with plenty to say about art and life, his filmmaking is impossibly beautiful, raw and honest. 72 Hours is tender and loving but never plays down the ugliness of life in impoverished Brooklyn. The way he captures the streets is splendidly empathetic, even as he uncovers the darkest things hiding in the cold night.

The emotional moment he describes between Haile Gerima and I was one of those once-in-a-lifetime type of beats. Please do click-through for the whole article.

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What I loved about BlackStar was that there were no velvet ropes. The demarcations between filmmakers, panelists, and audience members were virtually nonexistent. More than once I witnessed a panelist reference another august filmmaker only to have that person be sitting in the audience. The quality of discussion during Q&As and in the lobby afterwards was truly outstanding. I hope to return.

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