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kehinde-crop

Having admired Kehinde Wiley’s work from the web for so many years it was a revelation to see the canvases in person. They were larger than I expected them to be. Majestic. Looking at a canvas closely you can see technique. And there’s a moment I love as you back away from a painting that technique turns into the picture itself. With Wiley’s pieces I found myself backing up further. The other viewers themselves — often white — became a part of viewing Wiley’s black and brown subjects. I wonder if this is on purpose.